The following is a press release from a wonderfully gifted fiber artist Bonnie Meltzer. The exhibit will be at the Buckley Center Gallery, University of Portland and will run from January 13th until February 6th. A reception will be held Saturday, January 18th from 2:00 – 4:00 with a short gallery talk at 3:00. I hope you check it out!
Coal mined from the Powder River Basin in Montana and Wyoming would travel on barges and trains through our beloved Northwest (including the Columbia River Gorge National Scenic Area) and on to Asia by mega-ships. At the time of this writing, three out of the six coal terminals are still waiting for permits to be approved or denied. Three of the original six proposals have withdrawn but the three left would have a destructive daily impact. Dozens of trains will stop traffic and spew toxins. Meltzer not only makes art about the issue but testifies at hearings, organized an informational rally, and writes a Facebook page about coal.
Born in New Jersey, Meltzer came west to get her MFA in Design at the University of Washington — and she never left. She has exhibited throughout the Northwest and across the nation. Her work is in many private and public collections including the the National Science Foundation, the City of Portland, the Community Music Center and the University of Washington School of Business. The sculpture, “Global Warming”, which will be shown at this University of Portland exhibition, is on the cover of the new book The Fine Art of Crochet by Gwen Blakley Kinsler.
When Meltzer saw Thom Caccamo’s ceramic fish skeleton series and Kelly Neidig’s traffic and cloud paintings she invited them to exhibit with her. Their artworks fit right into the coal and environment theme.